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I had the privilege of spending a few hours with Henry Rollins about 15 years ago when he came to the University of North Florida for one of his spoken word performances. My friend was a coordinator for the UNF events department and was responsible for chauffeuring him around while he was in town. He knew I was a Henry Rollins fan and I got to tag along. Man, was it an experience. Henry Rollins is one of the most intense, down-to-earth people I've ever met... and amazingly intelligent. He's really no slouch when it comes to just about anything!
Although this article seems to be about his relationship with lifting weights, its much deeper than that. It's more about his relationship with a passion that, for him, encompasses his complete mind, body and soul. For me, this fits my relationship with martial arts to a tee! This essay was written a couple years before I met him (published in Details magazine in '94). I hope you enjoy it as much as I do. -Sifu Adam Williss
Weeks passed, and every once in a while Mr. P. would give me a shot and drop me in the hallway, sending my books flying. The other students didn't know what to think. More weeks passed, and I was steadily adding new weights to the bar. I could sense the power inside my body growing. I could feel it.
At The Dragon Institute, we practice an "internal" method of martial arts and qigong. This approach focuses upon relaxation and posture to achieve its goals. Whether these goals are self-defense oriented or for healthy living, the approach remains the same.
Since breathing is the basic root of life and it has so much control over our ability to relax, it is what we focus upon before anything else. When we are relaxed, our mind and body can function at their highest potentials.
| "In fact, when you practice lower dan tien breathing you bring ten times the amount of air into your lungs than when you breathe only with your chest." |

"Its true. I love what I do. Its not a job, its a true PASSION that I get to do every single day. I get to share this passion and help my amazing students honestly express themselves. Not lying to themselves. Liberating themselves from themselves, their fears, their walls and their insecurities. Their trust in me is remarkable. This kind of trust and honesty is extremely difficult. That's why its easy to do what I do. What's so hard is doing what they do. They are my inspiration. To them, I dedicate this journey."
-Sifu Adam Williss
By Patrick Miller


"Martial arts are one big family. Just as you should appreciate all martial arts, appreciate all kinds of Wing Chun. But also understand that there are huge differences between how different arts/styles approach things. Just because its called by the same name doesn't make it the same. Even though they may be trying to accomplish the same thing in the end, how one person/art/style goes about things can be completely different. In fact, sometimes even contrary to one another. Does it make either of them wrong? Not necessarily. It all depends on how you look at it, where you're at in your mind and what path you want to take to get there. No one has all the answers. Finding truth is never about following another person. Truth is found within the walls you've built that hold you back from it."
-Sifu Adam Williss
"You won't see Chi Sao in a high intensity confrontation. You see the results of it in the person who has spent the hundreds of hours training it. Chi Sao should never be looked upon as fighting. It's a tool sharpening exercise."
-Sifu Adam Williss
Leung Sheung student Ng Wah Sum demonstrates Wing Chun's Bil Jee
Bil Jee is the third of three open-hand sets of Wing Chun. Bil Jee builds upon and refines the technical and structural training of the first two sets. In some circles Bil Jee is known as the "emergency set" as its techniques diverge from the centerline and can be seen as guidelines on what to do if your structure is compromised. In other words, it teaches how to "return to the center".
Bil Jee" (標指) literally means "darting fingers" and refers to the way the form trains the practitioner to project energy through the fingertips.
Advanced footwork is taught in this form. The footwork of Bil Jee is more circular in nature and uses the So Gurk often. It teaches how to close the gap as well as leg sweep. This form also has more emphasis on shoulder and hip opening/rotation.
Leung Sheung student Ng Wah Sum demonstrates Wing Chun's Chum Kiu
Chum Kiu is the second of three open-hand forms of Wing Chun. In order to begin the second set, the legs and knees must be trained via the first set to be able to put the body weight on one leg. Once the proper body structure from Siu Nim Tao is trained, the student can then learn how to move that structure by turning and stepping.
The "Chum" in "Chum Kiu" can be represented by two different characters in Cantonese. When 沉 is used the form translates to "sinking the bridge." If the character 尋 is used then it translates to "seeking the bridge." The bridge refers to contact with the opponent's limb.
Fundamental rules of footwork and body unity while moving are introduced and developed in Chum Kiu. The set introduces turning, the small step, and kicking.
Here are a couple old photos from the early 1980's of Dragon Family Wing Chun forefathers, Karl Godwin and Bill Graves.
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| Karl Godwin applying a pull and punch while Bill Graves responds with a gwat sao |
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| Karl Godwin and Bill Graves practicing Chi Sao at long bridge |
"I didn't choose to make martial arts my life's passion in order to learn how to fight. I chose martial arts because of the undeniable peace it brings to everything I do."
-Sifu Adam Williss
